July 14, 15, 21, and 22, 2017
EXIT Theatre, San Francisco


Katie Nix



Hailed as "sensational" by the San Francisco Examiner, Katie Nix is a vibrant soprano whose broad repertoire ranges from Baroque chamber opera to contemporary musical theatre. In 2016, Katie performed several roles in Opera Theater Unlimited's critically acclaimed production of L'Incoronazione di Poppea. A passionate performer of new music, she has spent three seasons with Thompson Street Opera Company (Louisville), where she premiered 4 roles and stage directed the world's first professional wrestling opera. Recent theatrical roles include Dot in Sunday in the Park with George (Foothill Music Theatre), Imogen in Shakespeare's Cymbelline (Theater of Others), and U/S Millie/Angela in Stage Kiss (San Francisco Playhouse). In summer 2017, she debuted her solo cabaret show Of Thee I Sing at Society Cabaret. Favorite operatic roles include Zerlina (Don Giovanni), Amy (Little Women), Nella (Gianni Schicchi), Antigona (Handel's Admeto), and First Lady (Die Zauberflöte). An active stage director and administrator, Katie is a founding board member of Opera Theater Unlimited.




Jill Morgan Brenner



Syracuse, NY native, soprano Jill Morgan Brenner, is an accomplished artist having sung with various organizations including the Syracuse University Orchestra, Prodigal Opera Productions, Classical Revolution, and the Fête Concert Series. An enthusiast of contemporary music, Jill has sung Julie in David Conte’s Firebird Motel and premiered Elliot Encarnación’s Troilus and Achilles as the goddess Athena. Other roles include, Beth in Mark Adamo’s Little Women, Anne Sexton in Conrad Susa’s Transformations, Countessa in Mozart's Le nozze di Figaro, and the 1st Lady in Die Zauberflöte. Jill is the founder, creator, and

performer of I Sing Words: The Poetry Project. The project is an annual concert series to further vocal repertoire through commissioning new works, continue the tradition of art song, and provide accessible new music to future performers and audiences. Jill is a recipient of the Paul L. & Phyllis Wattis Foundation Scholarship, Anna Freeland Memorial Prize, and the Vocal Department Award at the San Francisco Conservatory of Music. She received her Bachelor's Degree in Vocal Performance from Syracuse University's Setnor School of Music and her Master’s Degree from the San Francisco Conservatory of Music.




Tenor Jonathan Smucker has sung more than 35 roles, ranging from baroque and classical to musical theater, operetta, and contemporary works. A graduate of the San Francisco Conservatory of Music and a salutatorian at Interlochen Arts Academy, he holds Bachelor's, Master's, and Postgraduate degrees in voice. He received further training at the Aspen Music Festival, and was an apprentice artist for Ash Lawn Opera. A member of the Philharmonia Baroque Orchestra Chorale, he has appeared as a soloist with Festival Opera, Marin Oratorio, Lamplighters Music Theatre, Pocket Opera, Opera San Luis Obispo, and San Francisco Opera's a la Carte program, among others.






Yemonja Stanley earned her master’s degree from the San Francisco Conservatory of Music in 2013. Throughout her career she has performed such roles as the Sandman in Engelbert Humperdinck’s Hansel and Gretel, Ginevra in Handel’s Ariodante, Musetta in Puccini’s La bohème, and Miss Jessel in Britten’s The Turn of the Screw. She has also been active in outreach programs for youth in the Bay Area. In fall of 2015, she was a teaching artist with the San Francisco Opera Guild’s Opera à la Carte. During the same season, she sang the title role in the children’s opera: Amazing Grace with Opera Parallèle. In this world premiere she worked directly with the children’s chorus to engage them in the art of storytelling through music.




A singer “with polish and charm,” Corinne premiered works by forgotten American pioneer Florence Price. Recent roles include Donna Elvira (Don Giovanni), Nerone (L’incoronazione di Poppea), Dido (Dido and Aeneas), Lucilla (La scala di seta), and Volpino (Lo speziale) as well as OTU’s inaugural 48 Hour Festival in Stephen Eddins and Stuart Bousel’s “A Devil’s Deal”. Her musical theatre rep includes Maltby and Shire’s Closer Than Ever, Berlin’s As Thousands Cheer, the role Liliane La Fleur in Nine, and Mrs. Prysselius in Pippi Longstocking. Future engagements such as 42nd Street Moon’s The Secret Garden found at






Soprano Maggie Manire is thrilled to be joining Opera Theater Unlimited for a third time, previously seen in their productions of L'incoronazione di Poppea (multiple roles) and The Turn of the Screw (Miles). Maggie is a recent graduate of The San Francisco Conservatory of Music, where she received her masters degree under the tutelage of Jane Randolph. She received her bachelors degree from the University of Puget Sound in Tacoma, WA, where she was honored with multiple awards, including as a winner of the School of Music's Concerto/Aria competition. Recent projects have included the role of Mary Crawford in the West Coast premiere of Jonathan Dove's Mansfield Park and collaboration with Bay Area composers, all while continuing to study with Jane Randolph. Maggie looks forward to a recital and song cycle premiere with composer and pianist Brian Fitzsousa this fall.




Joseph M. Colombo is a New England-born, San Francisco-based post-classical composer and noise maker. He has written music for orchestras, chamber ensembles, electronics, stage, film, installations, and everything in between. His work has a vibrant energy, often exhibiting a strong rhythmic drive, and has been referred to as “a powerful auditory experience” and “a wash of sound and color” (I Care If You Listen).

Joseph has worked with a slew of individual performers and ensembles, including but not limited to the Kronos Quartet, the Orlando Philharmonic, the Mobius Trio, the Living Earth Show, Transient Canvas, Areon Flutes, New Keys Ensemble, Elevate Ensemble, Regina Schaffer, Justin Dougherty, Friction Quartet, Juventas New Musical Ensemble, and more. He is currently working on a long form visual music project.

Joseph is a frequent host of the radio show, Music From Other Minds, and can often be encountered as a performer and teacher. He is a founding member of the Fifth Floor Collective and Prodigal Opera Productions, and has studied with Dan Becker, Andy Vores, Jan Swafford, Curtis Hughes, Dalit Warshaw, Dan Crozier, and Susan Lackman. For more, check out





Caitlin is currently a playwright and drama instructor for the non-profit children's theatre company Kid Stock, Inc., for whom she has scripted five original shows and two holiday showcases. She is the writer and co-creator of That’s Not A Thing, a web series about three women navigating the oft ridiculous trials of early adulthood, produced by La Doña Films that just launched on YouTube.


A graduate of Seattle University’s creative writing program, Caitlin Mullan additionally studied literature and history at the National University of Ireland, Galway, giving her a unique and immersive education in rain that continues to inform her work.

Ongoing projects include Snapshots: San Francisco, a blog-based storytelling archive designed to document the ever-expanding and evolving personal thoughts and experiences of the city's residents and visitors




Composer and conductor, Elliott James-Ginn Encarnación is also a self-trained tenor. As devotee of Wagner and Bach, Elliott welcomed his years of study and friendship with the late renown opera composer Conrad Susa. He studied orchestral conducting with Bernstein-protégé David Gilbert at the Manhattan School of Music. He has written for ensembles in Michigan, New York and California. His repertoire includes numerous sacred choral works, oratorio and opera. Elliott co-founded Prodigal Opera Productions in 2013, serving as artistic director. In addition to composing and singing, Elliott has performed as a soloist with the San Francisco Symphony, the Marin Symphony, the California Bach Society, and other Bay Area institutions. He also works as a conductor and as an instructor of theatre, opera, and music theory. He enjoys regular performances as an AGMA chorister with the San Francisco Symphony and the newly founded Cappella SF under Ragnar Bohlin. He is currently serving as composer-in-residence for the International Orange Chorale.


Sarah Young



Highlights of Sarah Young's directing work include La Serva Padrona for the San Francisco Opera Guild, a double bill of La Serva Padrona and The Coffee Cantata for Livermore Valley Opera, a semi staged Zelmira for West Edge Opera, The Marriage of Figaro with Opera Theater Pittsburgh, Alcina with Black Box Baroque, and an Opera on Tap children's outreach production of Cenerentola. Sarah is happy to return to Opera Theater Unlimited after directing their Turn of the Screw and L'incoronazione di Poppea.

Sarah is currently an MFA candidate in Directing at The New School for Drama in New York City.